Dan Margulis Applied Color Theory
Selecting Grays
Selecting Grays
Posted by: "J Walton"
Date: Wed Jun 14, 2006 9:19 pm (PDT)
Hello all...
I tried something today in LAB and eventually got it
working OK, but I wonder if any of you have an easy way to get this done.
(I'm also hoping that it's not somewhere in Dan's LAB book. THAT would be
awkward...)
When correcting grays it would be nice to be able to
get a mask for all things that aren't saturated. My first thought went back
to HSB mode, which I think I remember converting to in some version of
Photoshop. Then I remember Heidelberg had an LCH mode on it's color
software, which would work too. Steal the S or C channel and go.
1. Does anybody know of a way to easily convert to
HSB/LCH? I seem to remember a Photoshop plugin a while ago. 2. Any slick
way to do this in LAB or some other method in Photoshop?
I ended up blending A to B using Hard Light, selecting
it, inversing, selecting it again with Com-Opt-Shift and tweaking the
resulting channel. It worked OK but not great.
Thanks in advance if you have any suggestions.
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J Walton
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Re: Selecting Grays
Posted by: "Francis Corvin" f
Date: Thu Jun 15, 2006 8:22 am (PDT)
Not sure how "slick" it is but I would work
on a copy of the layer and use "blend if underlying layer" with
a/b at 0.
Regards,
--
Francis Corvin
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Re: Selecting Grays
Posted by: "Lee Clawson"
Date: Thu Jun 15, 2006 8:22 am (PDT)
on 6/14/06 11:07 PM, J Waltonwrote:
I had a HSL&HSB filter made by John Knoll. Don't
know if its been updated.
Lee Clawson
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Re: Selecting Grays
Posted by: "Rick Gordon"
Date: Thu Jun 15, 2006 8:26 am (PDT)
Another related technique I use for creating a
saturation mask is the following:
1) Duplicate the a channel.
2) Run a 3-point pencil curve (to create straight line
segments) of 0->0, 128->255, and 255->0 on the duplicated a
channel.
3) Duplicate the b channel.
4) Run an identical 3-point pencil curve of 0->0,
128->255, and 255->0 on the duplicated b channel.
5) Run Calculations on the copy of a and the copy of b
in Linear Burn blending mode (or Multiply or Darken for slightly different
effects), putting the result into a new channel.
7) Use the resulting channel as the mask channel for a
straight-line curve adjustment to a and b (or as the mask channel for a
Hue/Saturation adjustment)
8) Run a curve on the mask channel to tailor the effect
as desired.
I find this approach, which I have set up as an action,
invaluable for doing things like boosting saturation on low-saturation
areas of an image without oversaturating areas of higher saturation. The
calculated channel can be inverted to affect things the other way around.
Rick Gordon
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Re: Selecting Grays
Posted by: "Rick Gordon" r
Date: Thu Jun 15, 2006 10:53 am (PDT)
You could have your Lab image on a Layer, and set
Blend-If for this layer for both the a and b channels to [128/128 ...
128/128] or [124/126 ... 130/132], or whatever tolerance suits you.
Underlay that with another layer filled with very
high-saturation color (like a=127, b=127). Then make a magic wand selection
of the high saturation color with a tolerance of zero, non-contiguous, and
sampling all layers. The inverse of that selection will be your
low-saturation selection.
Rick Gordon
___________________________________________________
RICK GORDON
EMERALD VALLEY GRAPHICS AND CONSULTING
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WWW: http://www.shelterpub.com
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Re: Saturation masking WAS: Selecting Grays
Posted by: "Andrew S. Webb"
Date: Thu Jun 15, 2006 1:58 pm (PDT)
There are miscellaneous techniques and actions here:
<http:
//www.thelightsrightstudio.com/photoshop-tools.htm>
and a saturation mask action and usage description here:
<http:
//www.thelightsrightstudio.com/TLRSaturationMask.htm>
Hope that helps,
_andrew webb
---------------------------
WebbWorks Words & Pictures
http://www.webbwork.com
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Re: Selecting Grays
Posted by: "Ripka, Herb"
Date: Wed Jun 21, 2006 2:36 pm (PDT)
Lee--
Andrew Webb sent along a link to a website:
http:
//www.thelightsrightstudio.com/TLRSaturationMask.htm
They have a PDF called ""Restore Those
Clipped Channels: Using a Saturation Mask to Fix Severe Saturation
Problems" at http:
//www.thelightsrightstudio.com/tutorials/RestoreThoseClippedChannels.pdf
On page 3 of the PDF is the following paragraph:
"Adobe Photoshop CS does not natively support
conversions to the HSB space in the same way it supports L*a*b and CMYK
conversions. There is a plug-in tucked away on the Goodies directory of
your Photoshop CS disk that converts images between RGB, HSB, and HSL color
spaces. To use it, you need to copy the plug-in to the Adobe Photoshop Only
folder within the Plug-Ins folder on your Photoshop CS installation. This
will add the HSB/HSL filter under the "Other" filter menu
item."
Is this the plug-in that you were talking about?
I haven't tried this yet. Hope this helps.
--Herbert Ripka
Greendale, WI
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Re: Selecting Grays
Posted by: "Lee Clawson"
Date: Wed Jun 21, 2006 8:35 pm (PDT)
on 6/21/06 11:02 AM, Ripka, Herb wrote:
.........There is a plug-in tucked away on the Goodies
directory of your
Photoshop CS disk that converts images between RGB,
HSB, and HSL color spaces.
Is this the plug-in that you were talking about?
It certainly is. But it wasn't for my needs I
think J. Walton was asking. Thanks anyway...
Lee Clawson
2/\V/\7 Studio
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Re: Selecting Grays
Posted by: "J Walton"
Date: Thu Jun 22, 2006 4:11 am (PDT)
Perhaps I can provide some closure on this topic. The
plug-in is *exactly* what I was looking for, and is pretty much what I
remember it being.
I've found that converting to HSB and then tweaking the
S channel provides a very good mask. It's an interesting way to use the
Hue/Saturation tool - only desaturate things that were pretty close to
nuetral but not close enough. In outdoor shots think sidewalk, street,
concrete building; indoor shots would be wall, tile ceiling, gray desk.
-----
J Walton
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