Dan Margulis Applied Color Theory
Paths and CS4 Adoption
Photoshop CS4 ?
Posted by: "John Romano"
Thu Apr 9, 2009 8:29 am (PDT)
Did they change something from CS3 to CS4 in regard to
paths ? For some reason they seem like they are harder to see or is it my
eyes Getting older :)
I have adjusted to it but other retouchers are somewhat
annoyed !
--
John Romano
Acme Color Manager
G7 Certified Expert
Acme Printing Co. LLC
978-658-0800 x231
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Re: Photoshop CS4 ?
Posted by: Alessandro Bernardi
Tue Apr 14, 2009 4:16 am (PDT)
Hi John,
you're right, something has changed from CS3 to CS4.
The difference comes from the OpenGL support in CS4 that enables the
anti-alias feature of many graphic cards. Before that there was no
anti-alias in the paths display. This is the typical case in which a new
option is almost worse than the previous one.
I make intense use of paths in my daily workflow so,
yes, this annoying as it affects the color samplers and brush pointers as
well. In some images I cannot really see them and sometimes when I
option-click to set the sampling point of the clone stamp or the healing
brush, the sampling point is not visible when I paint.
Fortunately you can go back to the previous way. Just
choose Preferences, Perfomance and, in the GPU Settings area, disable the
"Enable OpenGL Drawing" option. Then quit and restart PS to see
the changes.
Now you'll have the paths more visible but you'll loose
the benefit of the graphic card OpenGL acceleration.
Hope this helps.
Kind regards,
Alessandro Bernardi
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Re: Photoshop CS4 ?
Posted by: John Romano
Tue Apr 14, 2009 6:29 am (PDT)
Thank you Alessandro, It works !
What benefits will I loose by not using the OpenGL
acceleration ?
If Im not using GoLive it shouldn?t be an issue right ?
Thank you again !!
Regards
John Romano
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Re: Photoshop CS4 ?
Posted by: Alessandro Bernardi
Tue Apr 14, 2009 7:55 am (PDT)
The OpenGL Acceleration uses the power of the Graphic
Processor of the graphic card instead of the computer processor for some
functions such as screen redraw and similar. It's limited to the first ten
images opened in PS. After that number it's turned off and PS will work in
the old way for all the screen operations.
You can take a closer look at:
http:
//kb.adobe.com/selfservice/viewContent.do?externalId=kb404898
Kind regards,
Alessandro Bernardi
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Re: Photoshop CS4 ?
Posted by: "steveoshoots"
Tue Apr 14, 2009 10:52 am (PDT)
Hi John,
One new feature you will not have with OpenGL off is
the Rotate tool and you won't have the gaps between pixels when zooming way
in.
cheers,
SteveO
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Re: Photoshop CS4 ?
Posted by: "photografix1999"
Tue Apr 14, 2009 10:52 am (PDT)
Yes, ever since disabling OpenGL, I've had no weird
anomalies like that, flickering image and strange objects showing up. I
hope Adobe keeps working to perfect it. Right now, however, it seems more
like a workflow-buster. I'm glad they give us a choice!
Eric Basir
Photo Grafix
847-673-7043
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Re: Photoshop CS4 ?
Posted by: J Walton
Tue Apr 14, 2009 11:33 am (PDT)
I was a little skeptical about the Rotate Canvas tool.
At first I hated it because it used the same shortcut that *every other app
in the world* uses for zooming out. But that was in the beta, and I didn't
use CS4 in a production setting during the beta period.
Now that it's officially out the shortcut for Rotate
Canvas replaces another tool I use a lot (smudge), but I don't use it
nearly as much as zooming out. I have actually used the Rotate tool to good
effect - I had to create some blinking eyes for an animation and had to do
a lot of shading. It's certainly more natural to do a lot of painting when
you can rotate the canvas the way you would rotate a piece of paper.
However, the pixel gaps are *incredibly* annoying. I'm
hoping there's a way to hide them beyond Command-H, because sometimes I
want to see the active selection and I NEVER want to see the gridlines. I
am having a hard time figuring out why you would ever want to see those.
Maybe it's a web design thing...
J Walton
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Re: Photoshop CS4 ?
Posted by: "John Romano"
Tue Apr 14, 2009 11:34 am (PDT)
Well after researching it, it looks like its better to
have it on and deal With it for it adds speed on redrawing and so on.
Check out this link explaining the benefits of having
it on, if your video card can handle it.
http:
//www.earthboundlight.com/phototips/cs4-gpu-acceleration.html
John Romano
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Superadvanced/PSW 4--CS4 adoption
Posted by: Dan Margulis
Tue Apr 14, 2009 10:52 am (PDT)
The posts on OpenGL behavior bring up the entire
question of Photoshop CS4 vs. CS3, which I've discussed in the last month
with a number of people. We have presumably all heard through the grapevine
that CS4 has not been well received. During the superadvanced classes, the
two ACT sessions that preceded them, and Photoshop World, I polled the
audiences to find out the level of penetration.
1. In the two basic classes, late February/early March,
2 of 14 students were using CS4. Both were hobbyists, not professionals.
2. In the two superadvanced classes that followed, 4 of
15 were using CS4. However, all four stated that they were doing so only
because they were legally required to by their companies. Apparently this
has to do with site licensing for the full Creative Suite. Two of the four
said that their companies were actively looking at ways by which they could
give up their Photoshop CS4 licenses and retrograde to CS3.
3. In all four of these classes it appeared that the
people who had not adopted CS4 did not intend to. One person had purchased
CS4 but had not installed it.
4. In two of my three sessions at Photoshop World, I
asked a series of questions, one of which was "as of today, what
version of Photoshop are you using in daily production?" There was no
followup question, so I don't know how many were happy or unhappy with
their decision, or how many were using it under duress, or how many planned
to buy in the future. In my preconference session on LAB, it seemed like
just short of 50% were using CS4. In my two-session channels lecture during
the show proper, the percentage was significantly lower, it looked like
35-40% to me. In both sessions of Photoshop World, as well as all my
classes, zero people were using CS2.
The difference in response rate corresponded closely to
the level of imaging professionals in the audience. Students in my classes,
particularly the superadvanced, are heavy users of curves, and the curves
interface of CS4 is a train wreck, so it's no great shock that their rate
of adoption should be lower. At Photoshop World, the other questions I
asked indicated that there were many more hobbyists in the first audience
than in the second. Very sophisticated "prosumer"-type hobbyists,
mind you, people who seemed to know as much about Photoshop as many
professionals do. Nevertheless, they're not doing it for a living.
These prosumers are generally, in my experience, more
prone to spring for an update automatically. Professionals tend to be a
little more leery, in case there is something wrong with the initial
release. Based on past releases, my classes would only now have a majority
of people using the newer software. However (with the lone exception of
Photoshop 7, which I and several others never adopted) they all eventually
migrate to the new version.
This time it appears that they do not intend to do so.
These numbers are across-the-board much worse than could be accounted for
just by a bad economy. In any event, the economy would not deter a
professional user: if a new version of Photoshop is more productive than
the old one, $180 or whatever is a no-brainer.
The basic ACT classes seemed to shrug the issues
off--the comments indicated that they had heard bad things about CS4 from
colleagues, particularly on the PC side, where there were some huge
performance issues in the first release that may now have been corrected or
at least improved. Myself, I don't get emotional about it either. Like any
other update, Photoshop CS4 has good features and bad ones. Overall, it is
the logical culmination of a lengthy slide, but it parallels what has
happened to a lot of other products. As software goes through more and more
iterations, it gets more and more complicated, opportunities for adding
killer features are fewer, and probably above all, corporate politics
starts to interfere more and more. There are many obstacles to excellence
and incentives for inertia. When this happens to a programming group, the
signature symptom is change for the sake of change, not because it adds
capabilities or speed, coupled with the marketing claim that it constitutes
a reason to "upgrade".
When this happens, the sensible user response is the
simple one of standing pat until such time as something that can truly be
called an "upgrade" appears. That, for the first time, appears to
have happened. Meanwhile, I used CS4 for nine days running during my San
Diego classes, for the first time since the beta period. To punish myself
for past sins, I refused to load the plugin that supposedly restores
keyboard shortcuts vis-a-vis channel. Without that, there's nothing to talk
about--somebody who's been using one set of keyboard shortcuts hundreds of
times a day for more than 15 years, like I have, simply can't unlearn them,
not in nine days or nine months. So, I slogged along, considerably slowed
down when I would forget the new behavior.
After a few days of wondering how it is possible in
this day and age to find people capable of designing an interface as badly
as that of the Photoshop CS4 curves adjustment layer, I simply changed my
workflow. In previous versions, I use adjustment layers to incorporate
changes unless I'm fairly sure I'll never need to alter them later; with
CS4 I don't use adjustment layers unless I think there is a strong
probability that I *will* need their capabilities. This is not all that
horrible, it merely reverts to an older mindset. Adjustment layers have
only been around since 1996. Work was and is possible without them.
Is this loss of functionality a reasonable tradeoff for
getting a Bridge that finally is stable, additional speed, the reversion to
a sensible interface for displaying images instead of the vapid method
introduced in CS3, and a few minor but welcome new additions? I suppose it
depends on how often you use adjustment layers. My decision was made easier
by repeated performance issues when I was working with several images open
at once. There has been a performance update since then, so the problem may
have been corrected, but for the moment I'm with the other holdouts.
Unlike the basic classes and me, anger was the
prevailing sentiment of the superadvanced classes and of the few PSW
instructors that I gossiped with about it. One instructor did feel that the
upgrade was an advance, although he thought that it was a bad idea to
overhaul adjustment layers, whether a good job was been done of it or not.
The others, some of whom work for Adobe and are paid to promote CS4,
divested themselves of obscenities.
I don't see the point of anger. The situation is not
likely to change. Photoshop CS4's issues didn't drop out of the sky,
they've been with us for a while. Think of it this way: it adds speed
(assuming that the performance-enhancing updates word) and a few nice
touches, but the two BIG reasons to use CS4--Bridge, and the improved
image-display interface--are not advances, but rather corrections of
problems introduced by previous releases. Bridge was introduced in CS2. By
CS3 its stability had improved so much that many companies would consider
it suitable for an early beta release. In CS4 it works correctly AFAIK.
Similarly, the interface in CS2 was the traditional
one. There was no reason to overhaul it in CS3, any more than there was a
reason to overhaul adjustment layers in CS4. And, just as with CS4's
adjustment layers, the design of CS3's unnecessary changes was amateurish
and considerably worse than what it had replaced. In CS4, this mistake was
acknowledged, and we got something resembling CS2 more than it does CS3.
The net result of fixing these two issues, then:
balancing the loss of adjustment-layer functionality against all the
smaller advances, Photoshop CS4 is almost as good of a product as CS2 would
have been if CS2's Bridge had been stable. This rate of advance does not
bode well for the future.
What I keep hearing is that there is a bright side:
that Adobe is aware that people are not happy with CS4 and that they know
that the loss in sales of the CS4 suite is considerably more than can be
explained away by the economy. I agree that they certainly do know it, and
are doubtless having meetings right now to figure out why this is so and
what to do about it, but I doubt that it's a bright side. A lot of theories
will be put forward, such as that the user base is too stupid to realize
the inherent wisdom of these changes and that if only we shove some similar
pap down their throats in CS5 they will come around. However, this view is
unlikely to prevail, as even stock analysts are suggesting that Adobe is
not doing enough to induce its regular customers (that's us) to buy
updates. So I would predict that the powers that be will conclude, if they
have not done so already, that Photoshop CS4 was a seriously inadequate
effort and that steps need to be taken to prevent a recurrence.
The problem is that this is much easier said than done,
as Microsoft has recently learned. It's not as though there isn't the
talent--any group as big as either Adobe or Microsoft has plenty of
brilliant people on staff. Unfortunately, once the culture of mediocrity
has set in, it is excruciatingly difficult to undo. No one person or group
is to blame. There are too many demands for too many features, too many
people trying to defend their own turf, too much acceptance of the attitude
that this slows everything down, but it makes it more compatible with our
other products; and that obviously has no business in our product but
marketing really wants it; and the other thing is sloppily coded and we
could fix it if we had the time and energy but we don't, and so on. And
once a certain number of people adopt this mindset, it becomes exceedingly
difficult to stop others from doing so as well. And so Microsoft gets
Vista, and Adobe gets Photoshop CS4.
There is no shortage of people at Adobe who want to do
the right thing and who are dedicated to our interests. We can only wish
them the best, but there is not much reason for optimism about the next
version.
Meanwhile, it looks like, for the first time, we will
have an entire release cycle in which a substantial number of serious
users, if not a majority, will not adopt the current version of Photoshop.
As was pointed out at Photoshop World by several people, this is rather
disruptive. CS3 and CS4 are different animals and need to be taught
differently. I've always followed the policy of using the old version in my
classes until 2/3 of the students have the new one. This usually takes
about six months after release, and for a while there are times when I
teach one class in the new version and the next one in the old, depending
upon who's enrolled. The other instructors move a little faster than that,
but still they say they feel uncomfortable demonstrating some behavior
that's unique to CS4 when more than half the audience doesn't use it.
There are bigger things to worry about in the world, so
whatever decision you have made about CS4, may it prove to be the correct
one.
Dan Margulis
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Re: Superadvanced/PSW 4--CS4 adoption
Posted by: "Jeremy Schultz"
Wed Apr 15, 2009 4:51 pm (PDT)
Thanks very much for sharing this data about
penetration of Photoshop CS4 in the marketplace. FWIW, I use CS4 and I
think it's okay though the Adjustments panel and the interface for working
with curve adjustment layers cripples my workflow (I either do what Dan
does and adjust or use adjustment layers and slog through it). I also wrote
reviews for PSCS4 and the other CS4 apps and gave PSCS4 relatively average
marks while some other CS4 apps (InDesign, Flash and others) really did
turn out very well.
One comment from Dan stood out to me‹the
speculation that Adobe is surely looking at CS4's losses and trying to
figure out why or how it happened. He predicted they will conclude that
PSCS4 was inadequate and will try to prevent a recurrence, and I think
that's partly true. I say this because Adobe recently announced some
benchmark results that suggest PSCS4 and other CS4 apps provide a big boost
to productivity and saves users time and money, which is not what we expect
when we upgrade (we expect cool new killer features) but ?productivity is
the new killer feature? and this was Adobe?s game plan early on.
I?m sure every one of Dan?s disciples will say that?s a
load of crap and point out how hard it is to use PSCS4?s curves‹and I
agree. For me, PSCS4 does not give the same productivity benefits Adobe?s
benchmark data indicates‹but I, like most of Dan?s students, use PS
in general and curves especially in a particular manner, and PSCS4 may very
well improve productivity for other users who want a central panel for
creating and editing adjustment layers.
I guess my point is that I think Adobe has approached
the failure of PSCS4 to penetrate the market by (1) trying to convince the
market the current version is a productivity enhancer, and (2) working
behind the scenes to make the next version a more enticing upgrade.
Jeremy Schultz
Design and illustration for print and the web
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Re: Superadvanced/PSW 4--CS4 adoption
Posted by: "Ian Craig"
Thu Apr 16, 2009 6:14 am (PDT)
On 15-Apr-09, at 7:10 PM, Jeremy Schultz wrote:
Thanks very much for sharing this data about
penetration of
Photoshop CS4 in the marketplace. FWIW, I use CS4 and I
think it’s okay though the
Adjustments panel and the interface for working with
curve
adjustment layers cripples my workflow
Jeremy,
I would certainly agree that the new curves interface
is very limiting. Perhaps this has been covered before but I did download
the Configurator from John Nack's website and the premade mxp (on the page
under "Some sample panels") file which restores the Curves panel
to its previous functionality.
http:
//blogs.adobe.com/jnack/2008/11/configurator_is_live.html#more
With it in place you just click on the "Adjust
Curves Layer" button in the Curves Dialog panel and the floating
Curves dialog appears.
I. Craig
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Re: Superadvanced/PSW 4--CS4 adoption
Posted by: "Jim Donovan"
Thu Apr 16, 2009 7:00 am (PDT)
It's beyond stupid to cripple by far and away the most
useful and powerful color tool correction ever invented,curves. I hope
stuff like this cripples cash flow and prevents needless money grabbing
"upgrades". I hope people are finally catching on that change for
the sake of change eventually leads us backward not forward. Thanx for the
restoration link. Hopefully we will never be forced to degrade to CS4 but
if we do it will come in handy. Jim Donovan
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Re: Superadvanced/PSW 4--CS4 adoption
Posted by: "Jeremy Schultz"
Thu Apr 16, 2009 7:01 am (PDT)
Thanks for letting me know about this! Configurator is
pretty cool, IMHO. I wonder if in a few years it will make the whole
discussion of Adobe?s interface design moot, because it will be totally
customizable?
Jeremy Schultz